something that serves as a practical example of a principle or abstract idea . . . a concerted effort to explore what it means to be a woman in the theatre today and a look at art in its many forms.
Wednesday, May 12, 2010
Fin: 2 Years Down, 1 to Go
So, I am finally done with year two of my three year MFA as of about 10:30 am this morning, which is why I didn't post last Sunday, as usual. The end of the year has given me a number of things to muse over, but one specifically is the review and portfolio process.
Here at UNCG, the graduate designers attend a 30 minute review at the end of each semester. Until this last one, we generally just brought show and sketchbooks to demonstrate the completed work in and outside the classroom. Due to my own interests in catching up on my physical portfolio and the two graduating designers having (mostly) completed their portfolios for work, this year we just brought portfolios. I must say that I prefer the portfolio review rather than show books, etc.
While the portfolio review forces me to keep my work current in the book (rather than waiting 3 years to update it) and keeps me from having to lug around stacks of 3-inch binders, it is more helpful to look at the distilled work overall. I also feel that the professors can better respond to the work in a final portfolio presentation and see how we, as young designers, are going to present ourselves to the world at large in job applications. At my undergrad we did a portfolio review that was set up a lot like the tables at U/RTAs (or so I've been told) so that, though we included things like show books and full-size drafting, it was set up in a way to depict the life of our work. I believe portfolios are a better indication of the growth of a student/designer and force us to really choose wisely what we include in the portfolio.
I also feel that the portfolio allows for more discussion to occur about the things that happen outside of the design classroom. Though it did not happen in my review specifically, I felt that knowing that only my portfolio-quality work would be on the table, the opportunity to ask about the other work I had completed this semester would present itself. Unfortunately, reviews are not really conducive to bringing in a binder full of writings and plays from an academic class, but being succinct with the visual representation of ones design work allows time for conversations about the non-visual work. (Again, that didn't really happen in my review, but such is the nature of conversation.)
And now that the portfolio is updated about 90% from where it was 3 years ago when I started thinking about graduate school, and my exams are all done, I am excited in looking forward to my final year. Many people wonder about why an MFA takes three years, but as it is a terminal degree and studio-based discipline, such is life. But I also feel that, if structured smartly, the third year provides for the culmination of all of the in-class work. I am only taking 1 class each semester and the rest of my credit hours are for the designs I am completing for the department. I am excited to be able to truly focus my brain power on doing what I want to do with my life. And if I ended my academic career here at the 2 year mark (because, let's be honest, I could have crammed more credits into the last 2 years) I wouldn't have the amount of designs to show, but also I wouldn't feel like the time had truly come to an end. Academically, I feel solid, so a Masters of Arts (MA) would be fine, but to truly feel like a Master of Fine Arts, now the finer-detail work will begin.
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