This is the show drop (position is changing) and it will not just be white (ha ha).
Laurie's House. Not much has or will change with what you're seeing here.
Judd's Cabin. There are some adjustments being made to this, in part because I don't really have all of the info about Aycock, but it's not going to change much from this.
The grove in the ballet. Nothing changing at the top with the romantic scene while all is well and good.
The Dance Hall/Nightmare. We spent a lot of time talking about this moment in the meeting. On my end, I think I've come up with a way to shift even further out of "Oklahoma" with some Mackintosh School of Art Nouveau motifs and changing the location of those light fixtures. Expect to see more about this later.
Skidmore Ranch. This is the part that is changing most drastically. And this part of the model sucks. But whatever. Ultimately, the platform is going away and we'll be creating a ring for dancing with hay bales and what not (lights are staying the same). I didn't consider this idea before because of In-One scene issues, but we resolved that during the meeting and now Act II is SOOOOOOO much better.
Skidmore Ranch backporch. Also changing, now that there is no platform and the in-one scene has changed. And Prior (who is my little dude there) is falling over. :P
Laurie's House. Then back to Laurie's house. Some cool choreography/staging ideas have come from the director on this, but mums the word in case magic cannot happen.
So yes, changes are in the air (which means another update about this is likely next weekend). Have I mentioned that this is my thesis work? So documenting it via my blog helps keep things fresh for when I have to write my paper or whatever.
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